From the epicentre,
a note rings, born from her
assertive hands.
Metres away, so close
to hear her breathe,
I hang from Loge 13, Seat A3;
I can only see the back,
her floral-printed black
chemise.
Enslaved by each phrase,
each mordent, trill, and
ornament,
the subtleties of the
da capo.
Why is it this one second
of rapture is forever captured by my
mind’s eye:
this one movement,
this one bar, this one
note?
Reverberating forever
like some God-sent
miracle –
artistry personified
in a micromoment of
Mozartian
bliss:
On hearing pianist Hélène Grimaud perform her Resonances programme at her 2011 Royal Conservatory début.
Buy CD here.
Download MP3 here.
Tuesday, April 24, 2012
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One Art, to recognize, must be,
Another Art to Praise.
- Emily Dickinson