Temporality

Like the morning dew,
here
and gone tomorrow:

3 flies lay,
spent
on the
plastic
desktop.

Having seen
them live and
breathe and munch on
dead skin cells;
buzzing now and again
on my face,

strange to see them
immobile,
almost sleeping or in
a trance-like state

It is bizarre,
sweeping them into the
garbage bin,
nestled among the
used tissues:

thinking,
this is what things
come to?

We try to live with a little
dignity, die
with a little
dignity.

Artistic visions,
dreams, and
loves:
sometimes it seems so
meaningless;

yet we carry on,
filling our lives with
things,
as if this will
somehow fill the
hollow restlessness,
or at least cover it,
like a soggy
glow-in-the-dark
bandaid

Glossolalia

Butterflies,
coy smiles:
I like to think
I am still naïve enough,
not yet jaded;

that I still believe
there is
love and beauty
in the world:

it is horrendous
thinking this is
all there is –

one needs a little
fantasy,
a diversion once
in a while

something to bring us
out of our
sullen moods,

to take us out of our
fatalistic musings,
and remind us

We are young,
there are moments ahead
and years behind us
already.

Let us laugh and
giggle,
foolish today,
not knowing if they
will ring again
tomorrow,
not knowing if we are
being altogether too
insincere;
for in this life,
we survive,
we enjoy.

Visiting the Fly

In the midst of the
height of spring
robins bob their
crimson heads across
the earth again:

In a moment of
inspiration,
I am perched myself
at the hot metallic
school desk,
placed so wondrous
in the centre of such
impossible
artistry;

Flies rest calmly
on the spots beside me;
it is not mine, but
theirs:
having no place in our
domain -
here, we are reunited,
all at peace with our
own
ephemerality –

I wonder on our
hypocrisy,
the strangeness of our
condition, our
species,
our cruelty in the midst of such
serene hospitality?

"Dual School Bench" (2002)

Verne Harrison

Donald Forster Sculpture Park,

Guelph, Ontario, Canada

Photo by the very talented Hanneorla

Grandma’s

Dust is everywhere;
so is dog hair, cat hair, granny hair.
Old monochromatic photographs,
black and white, rest beside giraffes;
dollar-store dolphins on the mantle
complete the odd ensemble.

Orotund, magnanimous reminders
of a foreign past of hers
finds stasis in this irony:
grandiose relics in harmony
with cheap trinkets,
purchased as tourists do from over-eager merchants.

As if to eradicate
longings for another place,
they are placed, souvenirs,
living with the present, ghosts, for fear
that memory is not enough, that
physical mementos are evermore more apt;

Rummaging through this
strange apartment, it is
odd to feel small
in the magnitude of
such frailty.

Everything here feels
disembodied and disconnected.
Stories of the “old country”
flit in and out of my
head as I finger aimlessly
though album leaves,
eyeing hopelessly
the digital clock on the
stainless steel
microwave.

I am almost powerless as I
realize I am in a shrine to
my past,
our past,
locked in a bygone
identity housed in
another which
makes even
less
sense.

I am trying to care, but
I am confused.

Coal Workers

Easy to
regard dirtied
blue-collar workers
with a wry
eye –
there is certainly
something
that makes us
special,
protected:

Clothed in warm
furs,
Tchaikovsky
flitting between our ears
via iPods,
iPads –

After a fall,
we pick ourselves
up late at night,
completely vulnerable;

we
realize:
this is life,
happy or
less so,
it carries on in its
drab
shades…

Forced to confront the
reality of our condition,
the frigid weather,
the boring country and its
resolute permanence

We look at ourselves
and the grey walls and
wonder, how much is
delusion?

How many escapist
stories have we told
ourselves to escape
these
cold winters,
dry summers?

The geese flee
and return
as we ponder these
Grecian thoughts,
not insensitive
nor enlightened;
but better off that
way,
perhaps.