172. Meninas

Las Meninas, Diego Velázquez (1656)

Museo del Prado, Madrid

Slanted
sits the
artwork: physical
body hidden
in a
temperature-controlled
vault-laboratory
hybrid thing;
exhumed to the present day,
mounted and dissected,
eyes observing,
dissecting;
essays
hum;
editors scramble furiously on the
Wikipedia
page...

Backing away,
curtain falls
as the
chamberlain
clears the exit

Two girls awkwardly caught
half-sentence in
curtsies, well
one –
the other still
unawares,
el búcaro outstretched
from her imploring
arms, fingers of
one curled in
mid-
persuasion

Despite her mourning
garb
the
guardian chatters
animatedly with the
guard, name
lost to
exclusive seats of
history

mumbling,
bumbling,
buzzing mutely:
as Two imported dwarves
form spectacle, one
obviously teasing the
peeved dog,
the other remarkably
solemn,
questioning.

Nineteen years and one
wife
separate the uncle from his
niece,
her arm tucked
protectively around
his?

The artist
rests: self-
portrait,
photograph?
Paint drops speckle his
boots in
real
time

Time ticks:
ribbons like
captive
wildflower
flare on the
alabaster plains;
ethereal, the
five-year-old
serenely gazes into
eternity

Bent knees
hover expectantly,
silk rustling, mute

Centrepiece, she
stands:
the business
frozen, betraying the
Purpose;
yet faces glisten,
inquiring,
else incoherent
of the
Moment:

The high
green-brown
panels silently
concur,
stolid,
enigmatic,
slumbering with the
weight of
centuries

Emptied,
its physical forbearer since perished,
imagination and
interpretation can only resurrect

Quiet,
the
noon
buzzes…

171. The Opportunist

American Robin at Frank G. Bonelli Regional Park

San Dimas, Southern California

Image Source: Two Birders To Go

Noble:
red head
raised high,

the robin
bounces
steadily, beady
eyes glimmering
with the
spring rain

in such splendour,
lone on the
beaming emerald
do I notice:

Stringy worms
dangling from
its resurfaced
beak;
munching, it is
a mortal like any other;
the rain,
fortuitous

Cantopop sails
in from the adjacent
living room;
eyelids painted and
eyes scrunched in
synchronous exertion:
dolled-up girls
and girly
boys

Things
seem not so
cheap
anymore…

170. Crabmeat

Scuttling over,
puts my hands on her
waist

“Breathe.”

We do so together.

Master and
novice,
experience seeping
through her
pores to
mine.

“Feel the depth of the
breath, it can
colour our
phrases
too.”

Soft flesh,
ancient and novel;
polyester fibres
crinkly and
taupe

As I am
processing,
understanding; we
breathe,
feeling the
depth,
discovering the
beginning

169. The Sidewalk Restaurant

Mapo Tofu (麻婆豆腐)

Image Source:
http://www.dianshu119.com/index.php?doc-view-881.html

Cheery chatter,
Mandarin,
surrounds like fumes;
we are
no longer
alone

cigarette smoke
deafens

the air conditioner
whirs,
green Tsingtao
bottles
glimmer,
translucent and
half-drunk

The noisy little
toddler
reaches for his
distracted 爸爸’s
tempting beer, reaches
to his lips

caught
(nearly too late), he is
smartly
rebuked

watching, I smile a
little

the 麻婆豆腐
is excellent

168. Cattle through the Peepholes

circles:
blinking eyes
beyond,
eyelashes long and
golden, dusty;
flies
interspersed

still yet
moving,
inches become
miles,
through alchemy
to kilo-
metres

skin beneath
metal,
air beneath
exhaust fumes:
and in the driver’s seat
the unthinking
be-jeaned,
be-plaid-shirted
blue collar
robot

driving,
surviving,

one eye:

glassy,
still, and
searching

167. 天雅古玩城

Tianya Antiques City, Beijing, China

Image source: Sina

A strangest thing indeed:
round dishes on the roof;
the visitors, like ants,
all enter/leave the feast…

Escalators deceptively slow,
quicken
pace
excitedly as the shop-front
store owners
come to life as
visitors step upon their
domain

Smoke

fills the halls;
NO SMOKING sings
not to be seen
here

Teenagers,
arrogant old
women, and
what appear to be
street urchins also
man these
gates;
well-dressed,
well-versed
suited middle-aged
men and women, and the
exotic, distrustful
eyes of the
Uyghur:

Children eat rice
at the lacquer tables
as their parents
haggle
or discover yet another
childhood
acquaintance –

Some halls are filled
with more
idle
smoke
than others…

At the busiest:
count the tiny
diamonds
lining the precious
green jade
leaflets, glistening in
the
caged
light;
semiprecious stones
set in
much-handled
wedding bands –

How can we know
each
detail?
Each fold of
each leaf?

The grandiose:
purple cut agate a
basketball-player
tall;
jade and marble
slates,
cute in with
intricate tree-leaves,
lined with detailed lines and
anatomically impossible
people larger than the
pagodas on the
shining, speckled,
lithe green
mountains

Tea sets of
smooth
clay of
subtly different shades
of roam chocolate
and caramel feel
sandy to the
touch;
gold Bodhisattvas and
Buddhas line
shelves;
antique, or
not

Fragrant medicinal
wood,
cut
into
small
squares,
promise remedies:
Impossibly smoothed wood
create chairs
exquisitely painful
to sit
upon
(no wonder the
Emperors had
such bad
headaches)

People-sized plates
still sprinkle the
building top like
ribbons, red and
gleaming like a
kindergartner’s
First Day present;
gilt, the buttons
noon read, sprinkled
on the silver
elevators…